Friday, 5 October 2012
buggers muddle
Since my arrival in New Zealand I have been making use of a hire car to get around. It turns out that there is a category of hire car even lower than 'Economy'; this.
A majestic 2004 Mitsubishi Lancer sedan with 180000 kms on the clock. Like many cars here it is an automatic; which means instead of numbers there is a bunch of confusing letters on the gear lever. I reached into the glovebox and consulted the manual.
The manual was in Japanese. It also seemed to include a helpful section on how best to crash your majestic 2004 Mitsubishi Lancer sedan.
As much fun as the majestic 2004 Mitsubishi Lancer sedan was, I couldn't afford to have it on hire for the full three months that I'm here; but a car would still be essential for weekend hobbit-hunting. In theory, a cost effective solution would be to buy a second hand car and then sell it on again when its time to leave...
Of course, this meant having to find a balance between the conflicting requirements of "must be cheap" and "must be cool". What I found was this 1990 Toyota Celica GT-R... it was advertised at $1350 (cheap-ish), and had pop-up headlights (cool for the eighties, so good enough for me). A test drive revealed that it was full of what some might refer to as "character" - covered in dents, a collapsing drivers seat, peeling paintwork, knackered front shocks, worn cv joints, a disintegrating steering wheel and possibly water in the oil too.
Of course I bought it.
Less striking, more stricken.
In the end I forked out $1050 for it, which is about $1050 more than it's worth. It's a manual though, and surprisingly, everything on it seems to work - including the active suspension, which as far as I can tell is a button that does nothing more than make lights come on on the dashboard. But they are green lights, so they're probably telling me that everything's okay. The manual might be Japanese, I don't know - I'm too scared to open the glovebox in case I find a severed head in it.
I have decided to call it DeathCar2000.
We moved into more permanent temporary accommodation this week. It's nowhere near as fabulous as the cottage, but it is also half the price of the cottage; and we could always spend the money saved on fairy lights, scatter cushions and a disco ball if we start getting fabulousness withdrawals. Aside from the lack of fabulousness, it's not too bad here; two double bedrooms, a living room with a pair of sofas, a crappy but usable kitchen and a similarly crappy but usable bathroom. It feels a bit like student accommodation; the furniture boxes have been ticked at the lowest possible cost to the landlord, and there's next to nothing in the way if knick knacks or anything to make it feel like a home. Nothing is particularly nice, but nothing is particularly dreadful either.
And finally... I spotted this poster on the noticeboard outside the canteen at work.
I have literally no idea what it's all in aid of, but the sign-up list beneath it has around a dozen names on it.
Monday, 1 October 2012
i have travelled through time and space
And so I find myself, to a considerable extent, to be in New Zealand.
Myself and another colleague shall be here for three months as part of work placement in which I will get to poke at aeroplanes, which is a novel experience for most engineers involved in the design of aeroplanes. I had originally intended to go to Canada for my external placement; but the company I was to be seconded to quite selfishly decided to go bankrupt - so now I'm here instead.
Despite being a work placement, work is profoundly unsupportive of the entire shenanigan and generally takes the view that it's all a bit of a free holiday. Which of course it is. However, it does mean that the support we get extends no further than a subsistence allowance (half of which will be paid after the placement is completed) and the advice that we should try to sort our accomodation out as soon as possible. Thanks, work.
Sorting out accomodation has been tricky; partly because being on the other side of the planet is somewhat inconvenient when it comes to viewing properties, but mainly because a lot of the buildings here have either fallen over or mostly fallen over. Short term accomodation is hard to come by because so much of it is snapped up by people who having their houses repaired, or by the people that are repairing their houses. In spite of this, it looks like we might have stumbled upon somewhere that is not upside down or on fire, and if all goes to plan we should be moving in on Wednesday.
In the meantime, we've been lurching between motels. Motel number one was perfectly acceptable. Not as luxurious as a Premier Inn, but also not as squalid as a multi-storey car park stairwell; finished in exquisitely functional shades of grey and brown, my room included a decent shower, a kitchenette thingy, a comfy bed and a TV with no porn channels. Motel number two isn't a motel at all; it's a fabulous B&B. Fabulous.
In between checking in and out of temporary accommodation, I went to work. Day one at Sinister Foreign Workplace was much like day one anywhere - lots of meeting people with eminently forgettable names and faces, wrestling with nefarious admin systems to obtain access to the various computer gubbinz that will be needed, and mandatory pre-employment drugs tests. Disappointingly, the drugs test did not take the form of a Pespi Challenge style blind tasting; instead I had to pee into a cup for a nice lady who will send it away to see if it is possible to get high by smoking it.
So, all good so far. Once things have settled down a bit I hope to do a bit more roaming about, seeing what there is to see and attempting to catch hobbits.
Sunday, 20 May 2012
gnome mercy
- Work
- Gigs
Thankfully my iron constitution meant I was fully recovered in time for Meshuggah the following week. Support was provided by We Are Knuckle Dragger, who made a delightfully shambolic clattering noise; and Animals As Leaders, who were astonishing. Tough acts to follow; and of course Meshuggah absolutely killed it. And almost killed me as well, when I collided hard with some other guy and cut my head open... the next day I had to get three stitches and a tetanus shot.
A powerful show indeed. The following night we saw Pelican at the Cooler. It's been a while since I've seen these guys, and I'd forgotten just how massive they sound live. First support was Death Of Her Money, which was a very pleasant surprise; second support was Black Elephant, whose bluesy classic rock shtick seemed more than a little out of place between the vast swirling post-whatever majesty of the other two. They played well, I guess - just not my thing.
And then a couple of weeks ago we managed to catch Nedry playing the Croft, in all their dubsteppy bjork-esque indie electronica glory. Since we saw them last (supporting 65daysofstatic a couple of years ago) frontgal Ayu's vocals have got even stronger, while her dancing has stayed exactly the same - she still has all the rhythm and grace of a toddler that's had too many fizzy drinks. And she still dances better than me.
- Mouses
- Weddings
Sunday, 4 December 2011
ISTJ

Wednesday, 12 October 2011
ipso fatso
- Eatin'.
- Poopin'.
- Gettin' cancer.
Monday, 21 February 2011
catch up
Sunday, 16 August 2009
titles are good
And so on Friday last week, my work placement quietly came to an end. I bought doughnuts and tiny cakes for the office, handed in my badge and gun (clocking card and mobile), shook a few hands and that was it. I think I shall miss it; it's been an interesting way to waste a year on the slow trudge to expiry.
Mostly I shall miss the ludicrousness of the health and safety culture, which in my final week saw the installation of small flashing orange beacons on all furnaces. These are supposed to activate every time the furnace door is opened, to alert operators whenever hot metal was being handled. This is despite the fact that:
- By "hot" metal, I mean molten metal - filled moulds come out of the furnace at temperatures exceeding 1000°C, and radiate an intense heat that can be felt from many metres away.
- They also glow bright - and I mean BRIGHT - white/orange. Can't easily miss 'em.
- The only people at risk of injury should molten metal be spilled are the guys that are handling it; and they know that molten metal is being handled, because they are handling it. So a little beacon to warn them that molten metal is being handled is a tad redundant in this respect.
- When they handle molten metal, they use A FUCKING FORKLIFT TRUCK WITH A FLASHING ORANGE BEACON ON THE ROOF AND A CONSTANTLY BLEEPING SOUNDER TO WARN OPERATORS THAT THEY MIGHT GET RUN OVER IF THEY DON'T WATCH WHAT THEY'RE DOING
I shall also miss playing boardgames in a kitchen bigger than my living room with my amusingly Catholic housemate Ruth. Of course, we've promised to keep in touch and visit and stuff; but this probably won't happen, because I'm rubbish and she's still not allowed to be friends with other boys - despite being in the "off" part of her on-again/off-again relationship with the insanely paranoid and jealous Sam. Sigh.
On the plus side, I no longer have to spend hours driving to and from Exeter each week, I now have full living room privileges, and I get to spend more time in my own home with my not-even-remotely Catholic flatmate Charlie Cat.
The new school year doesn't start until the last week in September; so I'm filling the time between now and then by working as many extra hours as possible at The Big Gay Department Store. It's helping to remind me why I wanted to get out of retail in the first place. To do the job well does require some skill, and frankly I'm bloody brilliant at it; but forty hours a week of pretending to give a freshly minted fuck about other people and their dreary existence is a bit much. So I'm attempting to break up the tedious monotony of constant consumption by subtly(ish) working rudeness into my flawless salesman's patter. Already this week I have managed "I've never seen so many knobs", "Would you like me to wrap your dangly what-nots in tissue?", and "Ah... Balls."
Good times.
Meanwhile, the Beastmans have been absent from this shitty blog for too long now; so here's a Giant.
Sunday, 2 August 2009
i want to be a head wound when i grow up
Went to see Kylesa at The Croft a few weeks back. Thanks to me being a bimbly moron, we got there a bit late and only caught the last half of opening act Big Naturals, now performing as a bass 'n' drums thunderous psycha-sludge-doom duo. A very hungover Taint took to the stage next, they're always great. A colossal two-drummer barrage opened up Kylesa's set, which was nothing but noisey sludgey doom from start to finish. Nice.
Meanwhile, grown-up work continues to be tediously dull. I'm not sure if I ever had a job description, but my day now mostly consists of wasting time on the internets. Having now read through the whole of the spEak You're bRanes archive, I've taken to trawling through Wikipedia. On Friday I learned about common rail diesel engines, the Portuguese man o' war, the history of Black Flag and the 80's DC punk and hardcore scene, the American invasion of Panama in 1989, and various stealth aircraft and other American warplanes. I also found out about the Leonard vs. Pepsico case of 1999, which all started because of this advert for the "Pepsi Points" promotion.
Obviously it was meant as a joke, but that wasn't going to stop John Leonard. He'd already collected 15 points, and Pepsi allowed extra points to be purchased for ten cents apiece. So he sent away a cheque for $700,008.50 (which included a $10 shipping and handling fee). Naturally, when Pepsi refused to send an AV-8 Harrier II jump jet to Leonard, he sued.
Thankfully he lost, the court decreeing that "no reasonable person could have believed that the company seriously intended to convey a jet worth roughly $23 million for under a million dollars." According to Wiki, "Leonard claimed that a federal judge was incapable of deciding on the matter, and that instead the decision had to be made by a jury consisting of members of "the Pepsi generation," to whom the advertisement would allegedly constitute an offer."
What a dick.
And now for some toy soldiers. Until I painted Count Drakon Von Carstein, I spent months being a slave to my Chaos Marauders.
So I now have a total of fifty seven of these useless bastards, which as it turns out is about fifty seven more than I would ever consider including in an army. Sigh.
So I've been taking a bit of a break from the square bases, and gone back to my beloved Orkses.
I started my Bad Moonz a few years back, when Orks were shit. But now the rules have changed, and they've become as dead killy as they ought to be. Except for Grotz - they're still shit.
Sunday, 12 July 2009
straight to hell
65daysofstatic were great, though. They tend to get categorized as a post-rock band, largely due to the clean guitar sound, absence of vocals, and melodies that are equal parts intricate and soaring; but where they triumph is in taking the drawn out and slow build up of post-rock, and replace it all with pounding pounding techno music. Or, failing that, just more guitars. Behold!
Suffice to say, a good time was had by all - apart from the girl whose nose got broken by some towering thug who really loved 65days, and managed to inflict his love on everyone within a two metre radius by the most physical means possible. Jerk.
The next day I went to Silverstone with like-minded nerds, to watch cars go round and round and round and round as part of the World Series by Renault. We got to watch a variety of single seater and road car races, got deafened by a couple of Renault F1 demonstrations, marveled at the fact that so many French cars and drivers got around the track without breaking down/going on strike, were astonished by the fact that 1992 F1 world champion Nigel "Isle of Man Iron Man" Mansell could still fit into a car, and got to wander down the pit lane taking pictures of cars in various states of undress.
Some of the cars even looked good with their clothes on.
But most of the photos I took ended up being of an empty patch of tarmac, with the blurred rear quarter of a racing car disappearing off the left hand side.
So, downtime's been mostly pretty fine. And work time?
Urgh.
I've only got four weeks left at grown-up work, and I've pretty much checked out already. Over the past month or so I've been slowly eking out my lunch break, starting it a little bit earlier, finishing a little bit later... I'm now at the point where my lunch break takes up about half the day, with the remaining half made up of various impromptu tea breaks. I spent almost all of Friday last week reading through the spEak You're bRanes archive, where a pleasing selection of the most alarmist/right-wing/me fail English that's unpossible/ill-informed comments from the "Have Your Say" section of the BBC website are ridiculed by venomously sarcastic individuals, who similarly seem to think that their opinion matters (though I'm sure that the irony is not wasted on them). It is now my most favouritest thing in the world.
First off, nothing. No light, no time, no substance, no matter. Second off, God starts it all off and WHAP! Stuff everywhere! -Genesis 1:1
Jeeping fuck. After a while, God speaks to Moses and explains that he's his main man, but he can't come into heaven 'cos of what he done, but he's still his main man, and he needs to go out onto the mountain and lay the Big 10 down for his people.
I don't mind religion, I really don't. It's not for me, but if that's what you're into then go for it. But The Street Bible? Seriously?! Isn't it a bit... well... patronising?Also, I think it misses the point somewhat. If the objective really is to make the Bible more appealing to youth culture, then just changing the language isn't enough. I think there are far more fundamental problems to be overcome.
The main one being that it's a book, and books aren't cool. It's got to be either a Hollywood Blockbuster, or a first person shooter. Possibly both.Assuming that we go for a movie (we can always sell the game rights later as part of a massive merchandising deal), we can then set about dealing with the other problems with the Bible. These being, broadly speaking, everything else about it. It's a bit too old-fashioned, kids these days aren't going to want to identify with a bearded sandal-wearing hippy... the whole thing needs sexing up a bit.
So, Vin Diesel will play Jesus. He trundles into Bethlehem in a beat-up old Honda Civic Coupe, and no-one takes him seriously until tha Wise Krew (Chuck D, Xzibit and Antonio Fargas) roll up and bestow him with gifts of alloy wheels, body kit and undercar neon. He then hooks up with Moses (who will be played by Megan Fox, thus providing the all important love interest), and they go on to a series of adventures where they fight crime, preach love, heal lepers with their fists and blow shit up, all through the medium of extreme sports and street racing. The whole thing should run like a series of nu-metal music videos stitched together with some superfluous dialogue.In the end, the fascist baddies that hate freedom have nail Vin Diesel to a cross because he's just too extreme. He'll stay there baking in the desert sun just long enough for a lingering shot of steam rising from his rippling torso, before snapping the cross over his spine like it was twig. He reveals that he is in fact from outer space, incinerates all the baddies with blinding shafts of white light coming from his eyes and mouth, grabs Moses and beams back to his home planet.
That's kind of the bare bones of it, anyway. It kind of feels right, but I can't help but think that it should have Adam Sandler in it somehow.
Monday, 22 June 2009
the slow and the ponderous
On Friday night, we returned to the now legendary(ish) Combustion Club to enjoy a rum-fueled evening of Victoriana and circus freaks in celebration of Laura’s birthday. It was a less grand affair than the Carne Ville shenanigans that it played host to a little over a month ago, but we all got dressed up and had a splendid time nonetheless. There were flaming hula hoops, some guy who got pretty naked on a tightrope, and a big band version of the Dangermouse theme tune. Powerful.
Recovery the next day was aided by the ingestion of dried leaves in boiling water and fried stuff in bread, before I headed off to Castle Combe racing circuit with Laura and Matt, who does not collect 20th century German war memorabilia. We watched a whole host of classic and not-so-classic machines whizzing about, bimbled around the paddock area poking cars, and started getting ideas. More on this later…
I continued my overt stalking of Laura and Matt the following day by going karting with them. We were joined by Sam, Hollis (The Boy’s boy) and the irrepressible Dom, and took part in some kind of 150 lap endurance debacle. I got paired up with Sam who, despite his… erm… robust stature, proved to be quite competent behind the wheel of a kart. He drives a kart like he drives his car; with horrifying disregard for everyone else around him, making the task of getting past him tricky at best, death-defying at worst. We came in second, behind Dom and Hollis but ahead of Laura and Matt, who spent most of their time either collecting tyres or doing doughnuts around tiny circular tracks that only they could see.
In the evening Charlie and I played at being grown-ups by inviting everyone around for dinner. We had a table and chairs and wine and everything, and it was almost convincing; apart from the fact that we didn’t have enough wine glasses (I had to drink from a tankard instead), and we had to use books for placemats. And then we all wandered off towards the pub, and picked something else to dedicate our luncheon club to the destruction of, having smashed the Quintessons the previous week (they didn’t put up much of a fight).

So, a busy weekend. And the rest of the week? That… that wasn’t so busy. Grown-up work seems to have switched its core activities from investment casting, to digging big holes into which they can pour huge sums of money. As such, there’s no new projects being started, and therefore very little for me to be doing; forcing me to seek out other distractions. Such as me and Matt’s devious plans…
We want to race a car in the Castle Combe Saloon Car Championship. It’s still very much a twinkle in our collective eye, but we have started to give serious consideration to a number of the more important aspects of such a venture, like what our team should be called and what colour our car should be. Oh, and I suppose what sort of car, too.
The championship is divided into four classes of racing, so you don’t necessarily have to go for something fast and furious; you can go for something (relatively) cheap and crap instead. This idea appeals to us. Class D (the cheapest and crappest of the cheap and crap classes) seems to be mostly headed up by a lot of little French cars. This is because whilst most manufacturers have developed newer, cleaner and more frugal engines, and pack their cars with lots of safety features (making them quite heavy), the French still make archaic death traps. But neither of us are much into French cars, and would rather run something a bit different. So I’ve mostly been wasting time at work going through the online Parkers car guide, working out power to weight ratios in my head. I even started to draw up a spreadsheet so that we could more easily compare our different options; but I gave up after half an hour when I realized that because I’m such an obsessive completist, I was going to spend a ludicrous amount of time compiling data for rubbish Korean cars with names like brands of laxative that we had no intention of ever driving.
It’s become a mild obsession, and just like in Fight Club when Ed Norton starts to look at everyone he encounters with a view to how good they might be in a brawl, I can no longer walk past a parked car without checking to see what engine it’s got and trying to predict how quick it might go around a track if it weren’t weighed down with such needless impedimenta as, say, seats.
Meanwhile, I finished painting this sucker.
Count Drakon Von Carstein; wealthy playboy aristocrat governor of Sylvania.
Likes: Mindless subservience, billowing cloaks, blood of virgins.
Dislikes: Sunlight, Bretonnian cuisine, torch-waving peasants.
Monday, 8 June 2009
still here
And so a few weeks ago, we moved house… big thanks to legendary man-with-van Kev, who gave up a day of work to lug all of our heavy crap in and out of his fine van, and up and down (but mostly up) our fine new stairs; to Sam, who gave up a day of sitting around in his underpants looking at pictures of hats on the internet to lug all of our slightly less heavy crap in and out of his perfectly adequate Volvo, and up and down (but mostly up) our fine new stairs; and to Charlie Cat, who found us an awesome place to live. Thank you Charlie.
After having spent the best part of a week compressing our entire lives into cardboard boxes and then an entire day moving it from a big place into a slightly smaller place, we weren’t massively enthused by the prospect of unpacking and sorting everything out. So we left our new home looking like this…
…and went to the pub instead, which is conveniently located next door. It’s quite nice there; they keep chickens, and have a wooden fort for us to play in.
Still, Charlie and I can be quite industrious when we want to be, and it didn’t take long for us to get everything ship-shape. Just in time for me to bugger off back to Exeter. Joy.
In other news…
- The Boy and I went to see bands at semi-respectable bar/live music venue The Croft. Tractor played trudging grind noise, and had a special pedal that made the guitar emit white noise at spleen ripping volumes; Alabaster Suns were good but ultimately quite forgettable; and Taint were as good as ever, and seemingly unfazed by the drunken suit-wearing middle aged colossus that climbed onto the stage to take extreme close-up photos of them, and then climbed off stage to take up-skirt photos of one of the girls in the crowd. What a class act. I assumed that he was some sort of wedding reception fugitive that had gotten drunk and lost at some point in the evening, and stumbled into The Croft by accident; but it turns out that he is some kind of unfeasibly wealthy online poker big shot, that just happens to really like Taint. And young women’s knickers.
- The RoboJEW and I went to see bands at crusty pub/breeding ground for virulent disease The Junction. Eaststrikewest were surprisingly good, and sounded like a post rock band with Buckley-esque vocals. And So I Watch You From Afar were staggeringly good, and deserve far more attention than they seem to be getting at the moment. And Maybeshewill were the band that followed ASIWYFA, and so were completely eclipsed by them.
Our Luncheon Club Dedicated To The Destruction Of Nihilism stormed home to victory at the pub quiz a few weeks back. Having successfully seen off Bolshevism (twice) and Nihilism, we are now turning our attention to The Quintessons, the terrible five-faced levitating mechanical judges from Transformers The Movie that feed the innocent to transforming robot sharks. This means, amongst other things, that every week Matt and I have to explain to someone else what Quintessons are.- At grown-up work, someone almost got killed/turned into glowing blue naked superhuman when they were locked inside the vacuum chamber of one of the furnaces. Fortunately someone heard the frenzied screams for help, and released the guy before the chamber was pumped down and his eyeballs boiled into vapour along with the rest of him. Health and Safety think this was a near miss brought about by the lack of adequate checks and procedures, and are pushing for the installation of more flashing lights and wailing klaxons and buckets of lasers. Plant Engineering (ie. us) think that the root cause was a bunch of dicks cocking about, and someone should be strung up for it. Apart from this, there’s been a whole bunch of nothing happening, which is bad because a) although I have a minor design project for lifting equipment on the go, it’s difficult to drag it out over two weeks; and b) it’s giving me lots of time to think. And thinking is bad right now.
- On the toy soldier front, I’ve finally finished painting the Marauders for my Chaos army (I’ve got 57 of these useless fuckers now), and am rewarding myself with something a bit different; a Vampire Count for my old Undeads team.
At the time of writing, Count Drakon Von Carstein is about half painted. He’s looking pretty cool so far; expect pictures when he’s fully done. Oh, and don’t think I’m done with the Beastmans – there’s more of those goat-legged jerks on their way too. - I miss my kitty cat.
And that’s pretty much it for now. Postings will continue to be erratic until some guy turns up to make internets happen in our new flat; deal with it.
Sunday, 17 May 2009
ATB FSB OMG
- ATP: The Fans Strike Back II was not as good as last year's Nightmare Before Christmas.
- It was still freakin' awesome.

Half of the line-up was chosen by the good people at All Tomorrow's Parties; the other half was voted for by "the fans". Everyone that bought a ticket could vote for any ten bands they liked, and each fortnight the bands in 1st, 2nd, 25th, 50th, 75th and 100th place in the chart were approached by ATP to see if they were up for it. The voting threw up an interesting mix of popular beat combos, from Slayer to Elbow. Of course, not everyone wanted/was able to perform at ATP... but the final line-up was a fine mix of indie-folk-Americana, and good bands.
Friday
Grouper had the unenviable task of being the first act on the first day. Her gently warbling whale-playing-guitar-through-a-delay-pedal made quite pleasant background music, but was otherwise unengaging. And kind of fuzzy.
M83 turned out to be an insipid wash of French ambient shoegaze electronica. Meh. On the other stage, Andrew WK was playing a solo acoustic set; so we went back to our chalet to watch Gardener's World.
It didn't seem right to go to a festival where Devo were playing, and then not see Devo; so we went to see Devo. Who were quite surprisingly brilliant... albeit getting a little too chubby to fit comfortably into their yellow jumpsuits...
Antipop Consortium might have been good, but I nodded off for a fair chunk of their set before we wandered off to catch the end of Jesu. I don't know where to begin categorising their music. Doomgaze? Colossal riffs played in slow motion through amps turned up to 11. Awesome.
And yet not quite as awesome as Electric Wizard, who reduced everyone to ash with tar-thick doom riffs. Awesome +10.
Saturday
Qui are a band fronted by The Jesus Lizard's David Yow, so are pretty much a vehicle for his jibbering lunatic rambling. But a good vehicle, with some neat bluesy licks here and there.
Harvey Milk played some nice and sludgey grunge 'n' roll, not dissimilar to the Melvins at their most accessible.
Errors played "post-rock electro" that sounded to me a bit like 65daysofstatic, but without the guitars. I seem to remember liking them at the time, but I struggle now to remember exactly what they sounded like. Possibly because of booze.
And finally Sleep, who spent 90 minutes ploughing through the entirety of their stoner rock masterpiece "Holy Mountain", with a few extras thrown in here and there. It was a damn long set at the end of a damn long day, but they were still cool, and I stumbled back to the chalet with ears ringing and a head full of pleasant fuzz. And a bag of chips.
Sunday
We decided to take advantage of the fact that ATP take over Butlins' cinema, and went to watch Withnail & I. Despite the film's renown as a cult classic, I'd never actually seen it before. I quite enjoyed it. I think my favourite bit was when the film got stuck and caught fire, owing to the fact that the projection equipment was so old that the original blueprints were deciphered from paintings found in caves on the remote south-facing coast of Gibraltar.
Then, after a few hours spent lounging about drinking cider in the sun (and a swift round of mini-golf), we decided to see some bands. Grails played some pleasant, psychedelic, but ultimately a tad forgettable, post-rock. Good, but not great.
The Mae Shi threw a parachute into the crowd a few songs into their set. Kids love parachutes. It quickly got spread out over the top of us, and when the singer guy leaned in under the front of it and sang at us it was like we had our own personal little festival tent. The only problem was that no-one seemed to know what to do after that, and it quickly got very warm and smelled a lot like feet. The other only problem was that The Mae Shi were, frankly, a bit bollocks. The kids seemed to love it though, so maybe it's just me being a miserable old git.
Absolutely.
Fucking.
Incredible.
And then, tediously, it was back to real life. For at least a couple of days, I kept having weird dreams that I was missing a load of cool bands...
Grown-up Work has found a solution to the problem of there not being enough spaces in the car park. They're making 130 of us redundant. This might include me, since I am far and away the most expendable thing in the office (even the water cooler is more useful than me), but probably won't. Chances are I'll get to finish my placement, and they just won't bother getting another student in to replace me. It's not all doom and gloom, though; on Wednesday, some company that's tending for our stores contract turned up for some sort of open day. They took over the training room with a load of display stands and tables covered with various tools and components, and so me and Old Man Braddon (who may also be getting redundantified) went along to see what free stuff we could blag. Pretty much all of the good food had gone, but there were still some fine biscuits to be had. Plus of course, all the other promotional junk... we trawled about, feigning a vague interest in what was on display and answering the occasional question about what our "functionality" was. It was all worth it in the end; we came out with a pretty good haul. I got a mug, a pad of paper, two bearing catalogues, three retractable ball point pens bearing bold corporate logos, a stress ball, a keyring, some fancy mints, and a fistful of jammy dodgers.
And in other news, I move house this week.
uuuuurrrrrggghhaaaAAAAARRRRRRRRRGGGGHHHH




